{"id":271,"date":"2017-11-16T19:27:22","date_gmt":"2017-11-16T19:27:22","guid":{"rendered":"http:\/\/publicknowledge.sfmoma.org\/hit-parade\/?p=271"},"modified":"2017-11-18T22:27:54","modified_gmt":"2017-11-18T22:27:54","slug":"hit-parade-lp","status":"publish","type":"post","link":"https:\/\/publicknowledge.sfmoma.org\/hit-parade\/hit-parade-lp\/","title":{"rendered":"Hit Parade, the LP"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-273\" src=\"http:\/\/publicknowledge.sfmoma.org\/hit-parade\/wp-content\/uploads\/sites\/12\/2017\/11\/FRONT.jpg\" alt=\"\" width=\"780\" height=\"777\" srcset=\"https:\/\/publicknowledge.sfmoma.org\/hit-parade\/wp-content\/uploads\/sites\/12\/2017\/11\/FRONT.jpg 780w, https:\/\/publicknowledge.sfmoma.org\/hit-parade\/wp-content\/uploads\/sites\/12\/2017\/11\/FRONT-150x150.jpg 150w, https:\/\/publicknowledge.sfmoma.org\/hit-parade\/wp-content\/uploads\/sites\/12\/2017\/11\/FRONT-300x300.jpg 300w, https:\/\/publicknowledge.sfmoma.org\/hit-parade\/wp-content\/uploads\/sites\/12\/2017\/11\/FRONT-768x765.jpg 768w\" sizes=\"auto, (max-width: 780px) 100vw, 780px\" \/><\/p>\n<div class=\"wp-playlist wp-audio-playlist wp-playlist-light\">\n\t\t\t<div class=\"wp-playlist-current-item\"><\/div>\n\t\t<audio controls=\"controls\" preload=\"none\" width=\"640\"\n\t\t\t><\/audio>\n\t<div class=\"wp-playlist-next\"><\/div>\n\t<div class=\"wp-playlist-prev\"><\/div>\n\t<noscript>\n\t<ol>\n\t\t<li><a href='https:\/\/publicknowledge.sfmoma.org\/hit-parade\/wp-content\/uploads\/sites\/12\/2017\/11\/01-Intro.mp3'>Your Hit Parade<\/a><\/li><li><a href='https:\/\/publicknowledge.sfmoma.org\/hit-parade\/wp-content\/uploads\/sites\/12\/2017\/11\/02-De-Anza.mp3'>Gold Rushing<\/a><\/li><li><a href='https:\/\/publicknowledge.sfmoma.org\/hit-parade\/wp-content\/uploads\/sites\/12\/2017\/11\/06-Bayview.mp3'>I Woke Up Fifty Years Ago<\/a><\/li><li><a href='https:\/\/publicknowledge.sfmoma.org\/hit-parade\/wp-content\/uploads\/sites\/12\/2017\/11\/04-Webb-V.mp3'>Gone<\/a><\/li><li><a href='https:\/\/publicknowledge.sfmoma.org\/hit-parade\/wp-content\/uploads\/sites\/12\/2017\/11\/05-Soltron.mp3'>There Are Still People Here<\/a><\/li><li><a href='https:\/\/publicknowledge.sfmoma.org\/hit-parade\/wp-content\/uploads\/sites\/12\/2017\/11\/03-Teresa-Moore-Monk.mp3'>It Was My Dream Apartment<\/a><\/li><li><a href='https:\/\/publicknowledge.sfmoma.org\/hit-parade\/wp-content\/uploads\/sites\/12\/2017\/11\/07-Santos.mp3'>Farther and Farther Out<\/a><\/li><li><a href='https:\/\/publicknowledge.sfmoma.org\/hit-parade\/wp-content\/uploads\/sites\/12\/2017\/11\/08-MO.mp3'>That Fillmo Sound<\/a><\/li><li><a href='https:\/\/publicknowledge.sfmoma.org\/hit-parade\/wp-content\/uploads\/sites\/12\/2017\/11\/09-Dark-as-a-Dungeon.mp3'>Way Down in the Mines<\/a><\/li>\t<\/ol>\n\t<\/noscript>\n\t<script type=\"application\/json\" class=\"wp-playlist-script\">{\"type\":\"audio\",\"tracklist\":true,\"tracknumbers\":true,\"images\":false,\"artists\":false,\"tracks\":[{\"src\":\"https:\/\/publicknowledge.sfmoma.org\/hit-parade\/wp-content\/uploads\/sites\/12\/2017\/11\/01-Intro.mp3\",\"type\":\"audio\/mpeg\",\"title\":\"Your Hit Parade\",\"caption\":\"\",\"description\":\"Your Hit Parade. Released: 2017.\",\"meta\":{\"year\":\"2017\",\"length_formatted\":\"1:46\"},\"image\":{\"src\":\"https:\/\/publicknowledge.sfmoma.org\/hit-parade\/wp-includes\/images\/media\/audio.svg\",\"width\":48,\"height\":64},\"thumb\":{\"src\":\"https:\/\/publicknowledge.sfmoma.org\/hit-parade\/wp-includes\/images\/media\/audio.svg\",\"width\":48,\"height\":64}},{\"src\":\"https:\/\/publicknowledge.sfmoma.org\/hit-parade\/wp-content\/uploads\/sites\/12\/2017\/11\/02-De-Anza.mp3\",\"type\":\"audio\/mpeg\",\"title\":\"Gold Rushing\",\"caption\":\"\",\"description\":\"\\\"Gold Rush\\\" from Hit Parade by Josh Kun. Released: 2017. Track 2.\",\"meta\":{\"artist\":\"Josh Kun\",\"album\":\"Hit Parade\",\"year\":\"2017\",\"length_formatted\":\"3:36\"},\"image\":{\"src\":\"https:\/\/publicknowledge.sfmoma.org\/hit-parade\/wp-includes\/images\/media\/audio.svg\",\"width\":48,\"height\":64},\"thumb\":{\"src\":\"https:\/\/publicknowledge.sfmoma.org\/hit-parade\/wp-includes\/images\/media\/audio.svg\",\"width\":48,\"height\":64}},{\"src\":\"https:\/\/publicknowledge.sfmoma.org\/hit-parade\/wp-content\/uploads\/sites\/12\/2017\/11\/06-Bayview.mp3\",\"type\":\"audio\/mpeg\",\"title\":\"I Woke Up Fifty Years Ago\",\"caption\":\"\",\"description\":\"\\\"I Woke Up Fifty Years Ago\\\" from Hit Parade by Josh Kun. Released: 2017. 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Track 4.\",\"meta\":{\"artist\":\"Josh Kun\",\"album\":\"Hit Parade\",\"year\":\"2017\",\"length_formatted\":\"4:54\"},\"image\":{\"src\":\"https:\/\/publicknowledge.sfmoma.org\/hit-parade\/wp-includes\/images\/media\/audio.svg\",\"width\":48,\"height\":64},\"thumb\":{\"src\":\"https:\/\/publicknowledge.sfmoma.org\/hit-parade\/wp-includes\/images\/media\/audio.svg\",\"width\":48,\"height\":64}},{\"src\":\"https:\/\/publicknowledge.sfmoma.org\/hit-parade\/wp-content\/uploads\/sites\/12\/2017\/11\/05-Soltron.mp3\",\"type\":\"audio\/mpeg\",\"title\":\"There Are Still People Here\",\"caption\":\"\",\"description\":\"\\\"05 Soltron\\\" from Hit Parade by Josh Kun. Released: 2017. Track 5.\",\"meta\":{\"artist\":\"Josh Kun\",\"album\":\"Hit Parade\",\"year\":\"2017\",\"length_formatted\":\"5:11\"},\"image\":{\"src\":\"https:\/\/publicknowledge.sfmoma.org\/hit-parade\/wp-includes\/images\/media\/audio.svg\",\"width\":48,\"height\":64},\"thumb\":{\"src\":\"https:\/\/publicknowledge.sfmoma.org\/hit-parade\/wp-includes\/images\/media\/audio.svg\",\"width\":48,\"height\":64}},{\"src\":\"https:\/\/publicknowledge.sfmoma.org\/hit-parade\/wp-content\/uploads\/sites\/12\/2017\/11\/03-Teresa-Moore-Monk.mp3\",\"type\":\"audio\/mpeg\",\"title\":\"It Was My Dream Apartment\",\"caption\":\"\",\"description\":\"\\\"It Was My Dream Apartment\\\" from Hit Parade by Josh Kun. Released: 2017. Track 6.\",\"meta\":{\"artist\":\"Josh Kun\",\"album\":\"Hit Parade\",\"year\":\"2017\",\"length_formatted\":\"2:51\"},\"image\":{\"src\":\"https:\/\/publicknowledge.sfmoma.org\/hit-parade\/wp-includes\/images\/media\/audio.svg\",\"width\":48,\"height\":64},\"thumb\":{\"src\":\"https:\/\/publicknowledge.sfmoma.org\/hit-parade\/wp-includes\/images\/media\/audio.svg\",\"width\":48,\"height\":64}},{\"src\":\"https:\/\/publicknowledge.sfmoma.org\/hit-parade\/wp-content\/uploads\/sites\/12\/2017\/11\/07-Santos.mp3\",\"type\":\"audio\/mpeg\",\"title\":\"Farther and Farther Out\",\"caption\":\"\",\"description\":\"\\\"Farther and Farther Out\\\" from Hit Parade by Josh Kun. Released: 2017. Track 7.\",\"meta\":{\"artist\":\"Josh Kun\",\"album\":\"Hit Parade\",\"year\":\"2017\",\"length_formatted\":\"6:08\"},\"image\":{\"src\":\"https:\/\/publicknowledge.sfmoma.org\/hit-parade\/wp-includes\/images\/media\/audio.svg\",\"width\":48,\"height\":64},\"thumb\":{\"src\":\"https:\/\/publicknowledge.sfmoma.org\/hit-parade\/wp-includes\/images\/media\/audio.svg\",\"width\":48,\"height\":64}},{\"src\":\"https:\/\/publicknowledge.sfmoma.org\/hit-parade\/wp-content\/uploads\/sites\/12\/2017\/11\/08-MO.mp3\",\"type\":\"audio\/mpeg\",\"title\":\"That Fillmo Sound\",\"caption\":\"\",\"description\":\"\\\"08 MO\\\" from Hit Parade by Josh Kun. Released: 2017. Track 8.\",\"meta\":{\"artist\":\"Josh Kun\",\"album\":\"Hit Parade\",\"year\":\"2017\",\"length_formatted\":\"5:37\"},\"image\":{\"src\":\"https:\/\/publicknowledge.sfmoma.org\/hit-parade\/wp-includes\/images\/media\/audio.svg\",\"width\":48,\"height\":64},\"thumb\":{\"src\":\"https:\/\/publicknowledge.sfmoma.org\/hit-parade\/wp-includes\/images\/media\/audio.svg\",\"width\":48,\"height\":64}},{\"src\":\"https:\/\/publicknowledge.sfmoma.org\/hit-parade\/wp-content\/uploads\/sites\/12\/2017\/11\/09-Dark-as-a-Dungeon.mp3\",\"type\":\"audio\/mpeg\",\"title\":\"Way Down in the Mines\",\"caption\":\"\",\"description\":\"\\\"Way Down in the Mines\\\" from Hit Parade by Josh Kun. Released: 2017. Track 9.\",\"meta\":{\"artist\":\"Josh Kun\",\"album\":\"Hit Parade\",\"year\":\"2017\",\"length_formatted\":\"4:15\"},\"image\":{\"src\":\"https:\/\/publicknowledge.sfmoma.org\/hit-parade\/wp-includes\/images\/media\/audio.svg\",\"width\":48,\"height\":64},\"thumb\":{\"src\":\"https:\/\/publicknowledge.sfmoma.org\/hit-parade\/wp-includes\/images\/media\/audio.svg\",\"width\":48,\"height\":64}}]}<\/script>\n<\/div>\n\t\n<p>In the SFPL music library, portions of the sheet music collection are cataloged with call numbers that begin with &#8220;HP,&#8221; or &#8220;Hit Parade,&#8221; a term that dates back to the 1930s when the record industry began assembling ranked lists of the most popular, most played, most commercially successful songs of the day. A radio program based on these songs,\u00a0<em>Your Hit Parade<\/em>, began aring 1935 and its TV spin off, sponsored by Lucky Strike Cigarettes, aired throughout the 1950s. This project approaches Hit Parade differently: as a metaphor for social inequality and an invitation to re-think the hierarchies of visibility and audibility in contemporary San Francisco. Who gets the hit? Who gets hit?<\/p>\n<p>&nbsp;<\/p>\n<p style=\"font-size: 12px;\"><span style=\"text-decoration: underline;\">Album credits<\/span>: All original records made by Josh Kun, Inna Arzumanova and Tamara Porras, with additional recording assistance from Jenn Kang, Natalie Hara, Sophie Schwarz, and Jessica Lie. Recordings were made during a series of musical storytelling days held at the Mission, Bayview and Western Addition branch libraries, all supervised and organized by Stella Lochman.<\/p>\n<p style=\"font-size: 12px;\"><span style=\"text-decoration: underline;\">Featured interviews<\/span>: &#8220;Gold Rushing&#8221; (Mohammed Soriano Bilal);\u00a0&#8221; I Woke Up Fifty Years Ago&#8221; (Claude Carpenter, Alonzo Menelik, Larry Williams.); &#8220;Gone&#8221; (Bobbie &#8220;Spider&#8221; Webb); &#8220;There Are Still People Here&#8221; (Ahkeel Mestayer, Daniel Riera); &#8220;It Was My Dream Apartment&#8221; (Teresa Moore); &#8220;Father and Farther Out&#8221; (John Santos); &#8220;That Fillmo Sound&#8221; (Mohammed Soriano Bilal); &#8220;Way Down in the Mines&#8221; (Luis Gutierrez, Ramon Garcia, Cesar Ascarrunz)<\/p>\n<p style=\"font-size: 12px;\"><span style=\"text-decoration: underline;\">Inspiration<\/span>: J. Period\u2019s mixtapes, Gray Brechin\u2019s <em>Imperial San Francisco<\/em>, the militant sound investigations of Ultra-Red, Rebecca Solnit\u2019s <em>Hollow City<\/em> and \u201cDeath by Gentrification,\u201d Checkpoint 303\u2019s <em>The Iqrit Files<\/em>, Tom Stoddard\u2019s <em>Jazz on the Barbary Coast<\/em>, Leta E. Miller\u2019s <em>Music and Politics in San Francisco<\/em>, Kathy Stone and Sascha Feinstein\u2019s <em>Keystone Korner<\/em>, the music and writing of Vijay Iyer, James Brook and Chris Carlsson\u2019s<em> Reclaiming San Francisco,<\/em> Arthur Dong\u2019s <em>Forbidden City<\/em>, Erik Lyle\u2019s <em>On the Lower Frequencies<\/em>, and Jeff Chang\u2019s <em>We Gon\u2019 Be Alright<\/em>.<\/p>\n<p style=\"font-size: 12px;\"><span style=\"text-decoration: underline;\"> Gratitude<\/span>: Stella Lochman, Deena Chalabi, and Dominic Willsdon of SFMOMA, Inna Arzumanova of USF, Chris Veltri of Groove Merchant, Jason Gibbs and Naima Dean of SFPL, Perry B. Johnson of USC Annenberg, Todd Cochran, Fre Goodyear, Oliver Wang, David Katznelson, Jeff Chang, Gerald Johnson, and Valerie Voorhies.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-272\" src=\"http:\/\/publicknowledge.sfmoma.org\/hit-parade\/wp-content\/uploads\/sites\/12\/2017\/11\/BACK.jpg\" alt=\"\" width=\"782\" height=\"781\" srcset=\"https:\/\/publicknowledge.sfmoma.org\/hit-parade\/wp-content\/uploads\/sites\/12\/2017\/11\/BACK.jpg 782w, https:\/\/publicknowledge.sfmoma.org\/hit-parade\/wp-content\/uploads\/sites\/12\/2017\/11\/BACK-150x150.jpg 150w, https:\/\/publicknowledge.sfmoma.org\/hit-parade\/wp-content\/uploads\/sites\/12\/2017\/11\/BACK-300x300.jpg 300w, https:\/\/publicknowledge.sfmoma.org\/hit-parade\/wp-content\/uploads\/sites\/12\/2017\/11\/BACK-768x767.jpg 768w\" sizes=\"auto, (max-width: 782px) 100vw, 782px\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-273\" src=\"http:\/\/publicknowledge.sfmoma.org\/hit-parade\/wp-content\/uploads\/sites\/12\/2017\/11\/FRONT.jpg\" alt=\"\" width=\"780\" height=\"777\" srcset=\"https:\/\/publicknowledge.sfmoma.org\/hit-parade\/wp-content\/uploads\/sites\/12\/2017\/11\/FRONT.jpg 780w, https:\/\/publicknowledge.sfmoma.org\/hit-parade\/wp-content\/uploads\/sites\/12\/2017\/11\/FRONT-150x150.jpg 150w, https:\/\/publicknowledge.sfmoma.org\/hit-parade\/wp-content\/uploads\/sites\/12\/2017\/11\/FRONT-300x300.jpg 300w, https:\/\/publicknowledge.sfmoma.org\/hit-parade\/wp-content\/uploads\/sites\/12\/2017\/11\/FRONT-768x765.jpg 768w\" sizes=\"auto, (max-width: 780px) 100vw, 780px\" \/><\/p>\n[playlist artists=\"false\" images=\"false\" ids=\"263,264,268,266,275,265,267,269,270\"]\n<p>In the SFPL music library, portions of the sheet music collection are cataloged with call numbers that begin with &#8220;HP,&#8221; or &#8220;Hit Parade,&#8221; a term that dates back to the 1930s when the record industry began assembling ranked lists of the most popular, most played, most commercially successful songs of the day. A radio program based on these songs,\u00a0<em>Your Hit Parade<\/em>, began aring 1935 and its TV spin off, sponsored by Lucky Strike Cigarettes, aired throughout the 1950s. This project approaches Hit Parade differently: as a metaphor for social inequality and an invitation to re-think the hierarchies of visibility and audibility in contemporary San Francisco. Who gets the hit? Who gets hit?<\/p>\n<p>&nbsp;<\/p>\n<p style=\"font-size: 12px;\"><span style=\"text-decoration: underline;\">Album credits<\/span>: All original records made by Josh Kun, Inna Arzumanova and Tamara Porras, with additional recording assistance from Jenn Kang, Natalie Hara, Sophie Schwarz, and Jessica Lie. Recordings were made during a series of musical storytelling days held at the Mission, Bayview and Western Addition branch libraries, all supervised and organized by Stella Lochman.<\/p>\n<p style=\"font-size: 12px;\"><span style=\"text-decoration: underline;\">Featured interviews<\/span>: &#8220;Gold Rushing&#8221; (Mohammed Soriano Bilal);\u00a0&#8221; I Woke Up Fifty Years Ago&#8221; (Claude Carpenter, Alonzo Menelik, Larry Williams.); &#8220;Gone&#8221; (Bobbie &#8220;Spider&#8221; Webb); &#8220;There Are Still People Here&#8221; (Ahkeel Mestayer, Daniel Riera); &#8220;It Was My Dream Apartment&#8221; (Teresa Moore); &#8220;Father and Farther Out&#8221; (John Santos); &#8220;That Fillmo Sound&#8221; (Mohammed Soriano Bilal); &#8220;Way Down in the Mines&#8221; (Luis Gutierrez, Ramon Garcia, Cesar Ascarrunz)<\/p>\n<p style=\"font-size: 12px;\"><span style=\"text-decoration: underline;\">Inspiration<\/span>: J. Period\u2019s mixtapes, Gray Brechin\u2019s <em>Imperial San Francisco<\/em>, the militant sound investigations of Ultra-Red, Rebecca Solnit\u2019s <em>Hollow City<\/em> and \u201cDeath by Gentrification,\u201d Checkpoint 303\u2019s <em>The Iqrit Files<\/em>, Tom Stoddard\u2019s <em>Jazz on the Barbary Coast<\/em>, Leta E. Miller\u2019s <em>Music and Politics in San Francisco<\/em>, Kathy Stone and Sascha Feinstein\u2019s <em>Keystone Korner<\/em>, the music and writing of Vijay Iyer, James Brook and Chris Carlsson\u2019s<em> Reclaiming San Francisco,<\/em> Arthur Dong\u2019s <em>Forbidden City<\/em>, Erik Lyle\u2019s <em>On the Lower Frequencies<\/em>, and Jeff Chang\u2019s <em>We Gon\u2019 Be Alright<\/em>.<\/p>\n<p style=\"font-size: 12px;\"><span style=\"text-decoration: underline;\"> Gratitude<\/span>: Stella Lochman, Deena Chalabi, and Dominic Willsdon of SFMOMA, Inna Arzumanova of USF, Chris Veltri of Groove Merchant, Jason Gibbs and Naima Dean of SFPL, Perry B. Johnson of USC Annenberg, Todd Cochran, Fre Goodyear, Oliver Wang, David Katznelson, Jeff Chang, Gerald Johnson, and Valerie Voorhies.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-272\" src=\"http:\/\/publicknowledge.sfmoma.org\/hit-parade\/wp-content\/uploads\/sites\/12\/2017\/11\/BACK.jpg\" alt=\"\" width=\"782\" height=\"781\" srcset=\"https:\/\/publicknowledge.sfmoma.org\/hit-parade\/wp-content\/uploads\/sites\/12\/2017\/11\/BACK.jpg 782w, https:\/\/publicknowledge.sfmoma.org\/hit-parade\/wp-content\/uploads\/sites\/12\/2017\/11\/BACK-150x150.jpg 150w, https:\/\/publicknowledge.sfmoma.org\/hit-parade\/wp-content\/uploads\/sites\/12\/2017\/11\/BACK-300x300.jpg 300w, https:\/\/publicknowledge.sfmoma.org\/hit-parade\/wp-content\/uploads\/sites\/12\/2017\/11\/BACK-768x767.jpg 768w\" sizes=\"auto, (max-width: 782px) 100vw, 782px\" \/><\/p>\n","protected":false},"author":6,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-271","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"acf":[],"_links":{"self":[{"href":"https:\/\/publicknowledge.sfmoma.org\/hit-parade\/wp-json\/wp\/v2\/posts\/271","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/publicknowledge.sfmoma.org\/hit-parade\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/publicknowledge.sfmoma.org\/hit-parade\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/publicknowledge.sfmoma.org\/hit-parade\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/publicknowledge.sfmoma.org\/hit-parade\/wp-json\/wp\/v2\/comments?post=271"}],"version-history":[{"count":0,"href":"https:\/\/publicknowledge.sfmoma.org\/hit-parade\/wp-json\/wp\/v2\/posts\/271\/revisions"}],"wp:attachment":[{"href":"https:\/\/publicknowledge.sfmoma.org\/hit-parade\/wp-json\/wp\/v2\/media?parent=271"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/publicknowledge.sfmoma.org\/hit-parade\/wp-json\/wp\/v2\/categories?post=271"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/publicknowledge.sfmoma.org\/hit-parade\/wp-json\/wp\/v2\/tags?post=271"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}