Minerva Cuevas<\/a><\/strong> is a conceptual artist who generates projects in response to politically-charged contexts. Several of the artist\u2019s works take the form of re-branding campaigns\u2014exhibited as murals and product designs \u2014that question the role corporations play in the management of natural resources, fair labor practices, and evolving forms of neo-colonialism. Cuevas finds provocative ways to intervene in public space, whether through interventions, the deployment of billboards, mural paintings or by hacking public utilities to provide discounted or free services. Cuevas has addressed the negative impact that humans have on the environment through sculptural installations and paintings coated in tar. She is the founder of Mejor Vida Corp. (1998) and the International Understanding Foundation (2016). Recent solo exhibitions have been presented internationally at venues including Galer\u00eda kurimazutto (2015); Museo de la Ciudad de M\u00e9xico, Mexico City, Mexico (2012); Whitechapel Gallery, London, United Kingdom (2010); Van Abbemuseum, Eindhoven, Netherlands (2008); and the Kunsthalle Basel, Basel, Switzerland (2007). Cuevas\u2019s work has been included in group exhibitions at institutions such as South London Gallery, London, United Kingdom (2016); Solomon R. Guggenheim Museum (2015); Museo Jumex, Mexico City, Mexico (2013); Mus\u00e9e d\u2019art moderne de la Ville de Paris, Paris, France (2012); the KW Institute for Contemporary Art, Berlin, Germany (2010) and the Centre Pompidou (Paris 2010). Cuevas was awarded the Deutscher Akademischer Austauschdienst (DAAD) in 2004. <\/p>\n","protected":false},"excerpt":{"rendered":"March 2018 – June 2018 Lit TV produced a series of videos in collaboration with San Francisco Bay Area teens,…<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-about.php","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-21","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/publicknowledge.sfmoma.org\/lit-tv\/wp-json\/wp\/v2\/pages\/21","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/publicknowledge.sfmoma.org\/lit-tv\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/publicknowledge.sfmoma.org\/lit-tv\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/publicknowledge.sfmoma.org\/lit-tv\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/publicknowledge.sfmoma.org\/lit-tv\/wp-json\/wp\/v2\/comments?post=21"}],"version-history":[{"count":0,"href":"https:\/\/publicknowledge.sfmoma.org\/lit-tv\/wp-json\/wp\/v2\/pages\/21\/revisions"}],"wp:attachment":[{"href":"https:\/\/publicknowledge.sfmoma.org\/lit-tv\/wp-json\/wp\/v2\/media?parent=21"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
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